Monday, December 8, 2008
"Warm Dogs" By: Paul Theroux
It seems that the world has taken a turn for the worse. This story reminded me of a scene you might see in a sci-fi movie or a Stephen King novel. An infection/disease has spread through the public, making people infertile and toothless. Some areas are worse than others. Even children are acting like savage beasts!
I don't really know what to write about this story, or Ysrael for that matter. I didn't care for either of these stories.
Posted by: Krista Behrends
"Loser" By: Aimee Bender
My favorite line from the story was when he was in his room thinking and contemplating the word lonely and how it was such a fitting arrangement of letters for the word it stood for. "He went home... and thought about the word lonely and how it sounded and looked so lonely, with those two l's in it, each standing tall by itself." (136)
Another part that I found interesting was the idea that Bender had about almost every inanimate object being displaced. Whatever objects you might have or see are probably displaced. They were most likely somewhere else before they were with you. Interesting! For example, "He felt the tug inside of the Green Star... its original home in Asia... the tug of the tree... uprooted from Virginia... and the tug of his own watch which was from his uncle." (139) I thought this idea was clever.
Posted by: Krista Behrends
Thursday, December 4, 2008
To Prepare for Exam
On Monday, Dec. 8, please bring to class all of the books we've discussed this semester so we can review them in preparation for the exam.
Civilwarland In Bad Decline, George Saunders
Drinking Coffee Elsewhere, Z.Z. Packer
The Lone Ranger and Tonto Fistfight in Heaven, Sherman Alexie
Jesus’ Son, Denis Johnson
Monday, December 1, 2008
ERES stories comments
posted by Michael Clark
ERES stories comments
"Winky" By: George Saunders
Posted By: Krista Behrends
"The Things They Carried" By: Tim O'Brien
To carry something was to "hump" it. The hump was described as, "everyhting, a kind of inertia, a kind of emptiness, a dullness of desire and intellect and conscience and hope and human sensibility." (431)
Jimmy Cross carried around his hope for love, his want for Martha, his need for female companionship and home, his desire for affection. This hump he carried around distracted him to the point where he was an irresponsible leader and lost a man. He realized that his hump was too much of a burden. Lieutenant Jimmy Cross reminded himself that his obligation was not to be loved but to lead." (437)
Posted by: Krista Behrends
mps.. crap in your oatmeal.
By George Saunders
Saunders, blunt and yet without a dull moment begins his short story “Winky” in a quite intriguing way. He captures our attention by using a play on words and gives the reader a sort of leading role in the introduction of the story.
“An actor in a ripped flannel shirt stumbled across the stage with a sign around his neck that said “You”.
“I’m lost!” You cried. “I’m wandering in a sort of wilderness!”
“Hey, You, come on over!” shouted a girl across the stage, labeled “Inner Peace.”
“I bet you’ve been looking for me your whole life!”
He also introduces a few characters, Self Absorbed, Blames Her Fat on Others, Disappointed and Too High Strung to Function, who also try to find their way to Inner Peace.
In this candid way, Saunders addresses a few things that keep us from the harmony of mind, body and soul and reminds us that everyone has this same basic need. And in doing so, even before we come to know his miserable circumstance with “crazy-looking, too religious, needs her own place” roommate Winky, Saunders brilliantly helps the reader to relate to main character, Neil.
But for me Saunders uses this play on the word “You” best as the introduction of lesson he plans to teach the reader on the individual level. Although he tells Neil’s story in “Winky”, the piece is not actually about Neil or Winky. Their story is only a part of Saunders’ short story and doesn’t even come along until after he tells the reader exactly what he has to say. By doing this Saunders makes this story about you. Not “You” the actor but you the reader.
So what is this great lesson Saunders shares in hopes to help you find inner peace?
“Don’t let anybody crap in your oatmeal!”
It’s funny, it’s vulgar, it’s practical and quite genius. It’s very Saunders
Monday, November 24, 2008
mps Gesse by Zz Packer
Packer’s short story “Geese” is the first in this collection to intrigue me. It is the only one of her stories that caused a desire in me to anticipate the next page. And so you can imagine the disappointment that came over me as I read the last sentence. I turned the page after digesting its last few words. There was nothing there. I needed more and knew that I must have missed something. So I reread the last paragraph and it put all the pieces together.
In the second reading I noticed that the ending of this story is unique. Not to all stories but to those within this particular collection. This is the only time in the collection that Packer uses the reflection of a character to conclude her story. This is probably why I didn’t recognize it as what it was.
In it she briefly describes the work of Japanese kamikaze pilots. “How they pledge their lives to the emperor and take flight on suicide missions with only enough fuel for the one way trip.” (Pg. 209) And the narrator also mentions that when Dina had first read about these pilots, in the “all knowing arrogance of youth she concluded that there had to be another way. She in the same circumstance would have done things differently.”
The point that Packer is making here is to liken the Kamikaze suicide missions to the path that Dina is currently on. As she does this we come to find that Dina had been wrong to assume she would have done things differently. If we consider a few instances that occur in Dina’s story before she prostitutes herself, we can see the parallels.
For instance in the beginning Dina makes a sort of pact like the one made to the emperor, with her family and friends that she is going to Japan to make a large sum of money before moving on. Than when she uses the last of the money she has on futile things like buying ice cream for Ari. Like the kamikazes do, she leaves herself in a terrible circumstance, by not preparing for a possible change in plans. Dina in this situation did everything just as the Kamikaze did. She led herself down a deadly path and makes no previsions for escape.
secretary of bestcornergroup08,
melissapierresaint
Drinking Coffee Elsewhere: “Geese” and “Doris is coming”
An interesting sequence of events that jumped out at me in “Geese” was one that took place between Dina and Sayeed. After Sayeed tried to kill Dina the two started to avoid each other at all costs. “Not a schedule exactly, but a way of doing things. If he returned from a day of looking for work he might ask every one how the day had gone. In that case she would not answer, because she was to understand that he was not speaking to her. If she was in a corner of the room she would go to another.”(Packer p.223) For some reason this reminded me of the intricate tango that takes place between a couple that is headed for divorce but can not come to terms with that fact yet. I know there was little if any love between Dina and Sayeed, but I could not help but be reminded of this exact tango my parents carried out for years preceding their own divorce. Nothing was admitted to be wrong, but nothing seemed to be going right either. The lack of communication and retreating to opposite ends of the house were common. For some reason when I read this quote this imagery leaped off the page and into my head, bringing me right back to the hostility of 1999.
Comment two:
In Doris is coming a passage that called to me was on page 246 where Doris is describing her return from school to home. “but she knew her father must be home; she could hear him hammering away. Her father was trying to build a third bedroom where their back porch had been, but the partition made from blankets never kept out the draft. She turned on the kitchen stove to warm the house and start dinner, wondering why her father had picked winter, of all times, to tear down two major walls of the house.” (Packer p.246) She goes on to describe the pock pock of the hammers meeting the nail heads. This jumped out to me being that my father did indeed make the same mistake when trying to renovate our porch into a “new room”. He picked late fall to start this project thinking it would only take a few weeks and that we would be spared from the cold arrival of winter because the gaping hole in the side of our house would be a finished room by then. Oh boy was he wrong the project took like 5-6 weeks longer than anticipated and I can still remember waking up in the morning for school to the pleasant smell of cooking gas. My mother used the same method of blasting the oven to warm the rest of the house. This one brought me back to 1989.
Posted by Michael Clark
"Drinking Coffee Elsewhere" By ZZ Packer
Posted By: Krista Behrends
"Drinking Coffee Elsewhere" By: ZZ Packer
Posted by: Krista Behrends
Monday, November 17, 2008
"Drinking Coffee Elsewhere" second response
In speaking in tongues a comment need to be made about a particular passage that stood out to me. "Dezi kissed her cheek... it was the first time a male had kissed her... she had always imagined that when someone kissed her, her eyes would be closed in anticipation, she would be waiting to receive the kiss" Knowing the circumstances of this scene takes away from how truly romantic this thought that Tea is having at this moment. I reminded me of my first kiss and how I thought it would be perfect, eyes closed, music playing, me saying something romantic, but in reality it was nothing like that. In fact I remember the first one, quick and awkward, and then it was over. Innocence lost forever in a passionate kiss in a dark closet at my neighbors birthday party.
posted by Michael Clark
"Drinking Coffee Elsewhere" By ZZ Packer
ZZ Packer’s short story “Drinking Coffee Elsewhere” was one of the best stories in this book so far. I really enjoyed the story line and the playfulness of the concepts and dialogue. I could almost imagine walking on to the Yale campus and seeing circles of people asking very philosophical questions. I loved Dina’s response, so honest and challenging in the basis of the atmosphere. Can you imagine, you get accepted to a school like Yale and disappoint everyone on the very first day! However, she did get a lot out of it such as having her own room and always being left alone. My favorite part of the story was when her and Heidi hosed each other down in the cafeteria. It seemed to be the peak of the story. Dina finally seemed to come out of her shell and have fun with life. All in all, this was a great short story. I found it unique in it’s emotion and honesty and I truly enjoyed reading it.
Posted by: Krista Behrends
mps Drinking Coffee...
a comment
While interviewing ZZ Packer, Robert Birnbaum asks if she is considered a black writer. " She agrees that she is but adds “I am writing for black people, but I am also writing for whites, for Chinese, for Americans”. Her point: being black doesn’t limit an author to a black audience.
I thought about how frequently authors will respond to a question like this one in the same manor. Acknowledging their race, and confidently sure that they possess the ability to speak to all people regardless of their differences. I hear it all the time but I wonder if it is true. I understand that anyone who pick up this collection becomes Packer’s audience, whoever they me be. But I wonder if we should be just all more honest about the term audience. Should we be considering other factors…. like humor maybe? [I know that’s a bit random. Try to fallow me]
Packer’s stories are filled with great humor. Maybe not knock your socks off funny. But it’s smart and witty. I found myself laughing a lot but because I’ve had this idea of audience on my mind it made me question; who when reading this book would be laughing with me. Who would understand the humor that she incorporates into her work and who would not? While reading the story “Brownies” for the second time, I stopped a moment mid laugh to acknowledge the possibilities. “Caucasian Chihuahuas…What are you? Caucasian?... That was so Caucasian!” (pg 3&4). Being an insider on the joke, I thought that, that was hysterical! Well that is until I flipped the script. Black Chihuahuas. What are you? Black? That was so Black! It just wasn’t as funny anymore and I assume it might not have been as funny for her White audience. [I couldn’t be sure. I meant to ask someone. But It's such an odd question to ask.]
In any case, would it be completely terrible if White people didn’t think that was funny? You know I’m not sure. And this makes me consider all the other features of a writer’s work that can be lost in translation. It makes me more conscious to the fact that even when you read a story you can be an insider or an outsider and I’m starting to consider that the insiders might be a writer’s true audience. For instance in Packer’s stories she tell of the racial divide and black identity that she is accustomed to, in her everyday life as an American. What I am proposing is that the experiences and circumstance she writes about it are best understood by those who who’ve share them with her. This doesn’t exclude everyone else from being her audience. But it might mean that every story [not just Packer’s] has a true audience. One who is best able to catch emotions and views the author shares with the reader. Even they’re simple jokes.
Now if that is the case, something a simple as race [ha] could not be a sufficient divider for every joke in every story or every circumstance our characters face. But I think it worked in the Chihuahua joke to help me acknowledge all the other factors that celebrate an author’s true audience.
The audience within the audience …boy is that deep.
secretary of bestconrnergroup08,
melissapierresaint
the interview: http://www.identitytheory.com/interviews/birnbaum103.html
Sunday, November 16, 2008
Class Canceled November 17
Class for Monday, November 17, is canceled. Please bring your assignments for this week’s class to next week’s class, along with the assignment for next week. Your assignment for next week is to finish reading Drinking Coffee Elsewhere and write a response paper, or complete any of the alternatives for writing a response paper (including writing two comments about the reading). So, in total, for November 24, you should have finished reading all of Drinking Coffee Elsewhere and should bring in two response papers, or their alternatives.
The group that was to present tomorrow will present on November 24, in addition to the group that was already scheduled to present on November 24.
I’m canceling class because I’ve thrown my back out of alignment. It occasionally happens, but I’ll be back on November 24.
Please email me if you have any questions.
Thanks,
Karen
Thursday, November 13, 2008
Response Papers
Instead of completing a two-page response to the stories, you can bring in TWO comments on the assigned reading. Comments can be anything of interest that you've noticed in the stories, for example, a paragraph that included an unusual or beautiful description of something, an observation about the nature of a character, or a comparison between the assigned short story and a previous short story. Be prepared to read your comments aloud in class, as well as remark on other's comments. Your comments will still be graded.
Wednesday, November 12, 2008
"Speaking In Tongues" By: ZZ Packer
In the story “Speaking in Tongues” we meet Tia, a young church-going and naïve teen from the South running away to Atlanta to find her real mother. Her strength and brevity seemed admirable until you realized that it wasn’t really strength, but foolishness and naiveté that landed her at Dezi’s apartment. In the scene when Dezi begins kissing and undressing her I experienced a mixture of feelings. As I imagined this young woman in my head being taken advantage of by a thirty-two year old man I felt sympathy, anger, frustration, and most of all shock. Yes, my mouth actually dropped while reading this passage. It seems that Packer confronts many scenarios and though it should be expected or not surprising when you come by such events, but somehow it still manages to shock the reader.
The unfortunate truth is that these stories happen more often than any of us would like to believe. Packer just brings it to the forefront of your mind. I really hope Tia made it home.
Posted by: Krista Behrends
Monday, November 10, 2008
Drinking Coffee Elsewhere, by Z.Z. Packer
In "Our Lady of Peace" we are given a glimpse into the inner city Baltimore school system. Tired of not being able to make her rent our narrator decides that she will become a schoolteacher. Sounds simple enough but is it? This story resonated with me because it shows the true perseverance of teachers, and the strife they deal with on a daily basis. Most people think that there could not be an easier job, summers and holidays off, but as we see here there is a whole lot more than meets the eye. Our narrator has trouble enticing the class with her lesson plans, and controlling the classroom. She turns to Sheba, a juvenile delinquent living at the Our Lady of Peace home for children, which is actually more like a jail. Sheba has a bad reputation; it is rumored that she shanked her former teacher at her old school. The students quickly fall into line when Sheba decides that they should shut up and pay attention. Everything seems to be working out until Sheba turns on the teacher, she gets pregnant and stops coming to class.
While trying to restore peace to the classroom and her life the teacher decides to on a peace offering to Sheba, she offers her a ride home. Things do not work out as planned and our narrator is upset with the world as it is today. She cannot stand the nonchalant attitude of the inner city youth, two of which are taking their sweet time crossing the street in front of her. Fed up with it all she decides to floor the gas pedal to give the kids a scare. She ends up accidentally hitting one of the kids, and flees the scene. She eventually decides that she is no longer cut out for teaching these kids who don't care for learning or advancement in any way shape of form. It took a bunch of chaos for her to realize where her peace lies, one thing is for sure, it is not at Our Lady of Peace.
posted by Michael Clark
Comment on “The Ant of the Self” By ZZ Packer
Posted by: Krista Behrends
Comment on “Every Tongue Shall Confess” By ZZ Packer
Firstly, I got a kick out of the length of the name of the church and how Sister Clareese never shortened the name but continued to repeat “Brother’s Church Council of Greater Christ Emmanuel Pentecostal Church of the Fire Baptized.” I liked the way ZZ Packer used italics to exaggerate or emphasize words in dialogue. As if, while you are reading you are getting the attitude of the character through the emphasis on certain words. When the father was preaching about call-waiting, for example, you can almost hear the ring of it and his voice. “Jeeeee-uz did not tell his Daddy- ‘I’m sorry, Pops, but my girlfriend is on the other line’; Jeeeee-zus – never told the Omnipotent One, ‘can you wait a sec… Jeeeeeeee-zus – never told Matthew, Mark, Luke, or John, ‘I’m sorry but I got to put you on hold…” While reading this I almost heard the preachers’ voice in my head. Emphasis on words is something everyone does in reality and I thought it was interesting that Packer incorporated it in to her stories.
Posted by: Krista Behrends
Thursday, November 6, 2008
Professorial Brainstorm
Derby Pie
Every Sunday after church, my grandmother's kitchen in Louisville, Ky., became a kind of depository for desserts. Female relatives and friends would drop off cakes and pies on her sideboard the way guests at a wedding fill up the gift table. Most were of the too-delicious-to-be-true black Southern strain: seven-layer caramel cakes, sweet-potato-and-yam pies, cinnamon-flecked peach cobblers or ''Sock It to Me'' cakes with a dollop of sour cream. My favorite was my great-aunt Fannie Lou's version of Kentucky Derby pie.
The Kentucky Derby is run the first Saturday in May, and in addition to bourbon-heavy mint juleps, hot browns, burgoo and other Kentuckified foods, Derby wouldn't be complete without Derby pie. (I should say so-called Derby pie, because by trademark, only Alan Rupp, of Kern's Kitchen Inc., can make a true ''Derby pie'' -- though to my mind, a batter of melted butter, egg yolks, flour, chocolate chips and walnuts poured into a pie crust seems as elemental and universally delicious as ice cream.)
My first time eating Rupp's ''real'' Derby pie came when I went to the Bristol Bar and Grill on Bardstown Road in Louisville as a teenager. Like my great-aunt Fannie Lou's pie, Rupp's is a veritable dessert casserole, and like a casserole, the pie must be served warm. Not sizzling, not tepid, just hot enough to be on the verge of melting, so that there is just the right amount of -- how else to put it? -- goo. And this ''goo factor'' is why reactions to the pie range from incoherent babbling to orgasmic moans. The yolky messiness of it transports you to some prenatal limbic state, evoking the euphoric feeling of licking cake batter from the spoon, eating raw cookie dough or stuffing melting s'mores into your mouth.
Official Derby pie is supposedly made with a layer of chocolate chips lining the bottom of the crust, the batter poured over the chips to keep them undisturbed and the heat of the oven baking the topmost layer so that it forms a kind of flaky-crispy crust. When you cut into it, you can see the sedimentary layers. I prefer my great-aunt Fannie Lou's version, which looks more like a cross-section of half-molten conglomerate rock. And hers is best enjoyed a day or two after it's baked, when all the ingredients have had a chance to work their magic on one another.
Though I've eaten many versions of the pie (some use pecans instead of walnuts, some add bourbon to the batter or make it less viscous with additional flour, some top it off with bourbon whipped cream), I haven't found any that improves upon Fannie Lou's. I do, however, expect that someday someone will subject Derby pie to the grand unified theory of Southern cuisine: ''If it tastes good now, it'll taste even better fried.''
Fannie Lou's Thoroughbred
(Almost Derby) Pie
[serves 6]
1 unbaked 9-inch pie crust
4 tablespoons butter, melted
2 large eggs
1 teaspoon vanilla extract
1 cup dark brown sugar
1/2 cup flour
3/4 cup chopped walnuts
3/4 cup semisweet-chocolate chips.
1. Preheat the oven to 350 degrees. Place the crust in a pie plate and prick the bottom with a fork. Cover lightly with a sheet of foil, pressing it gently into the crust and making sure the edges are covered. Place weights (metal pie weights or dried beans) on the foil to weigh down the bottom and hold up the sides of the crust. Bake for 10 minutes, then remove foil. Continue baking until the crust is firm and has lost its sheen but is not browned, about 5 more minutes. Remove from the heat and set aside.
2. In a medium bowl, combine the butter, eggs and vanilla extract. Add the brown sugar and flour and mix until thoroughly blended. Using a rubber spatula, fold in the walnuts and chocolate chips.
3. Pour the batter into the crust. Bake until puffed and golden brown, about 30 minutes. Remove from the heat and place on a rack to cool. Serve warm.
ZZ Packer is the author of Drinking Coffee Elsewhere: Stories.'
Monday, November 3, 2008
civil war and the bad decline
"Civilwarland in Bad Decline" by George Saunders
In "the 400 pound CEO" we encounter Jeffrey an overweight office worker who is constantly harassed by his co-workers about his weight and unsightly looks. He was not always so large, at one point he would describe himself as portly, which is a nice way of saying fat but without such a negative connotation. His job is to sell humane capture and release of pesky varmint like raccoons. Certain housewives cannot deal with killing such pests and it weighs lighter on their conscience if they go the humane route. The problem is they are capturing and killing the raccoons anyway. Jeffery's boss is a rotten man with many deficiencies. He spent time in jail for intentionally backing over a frat boy with his car. While in jail he conceptualized his rouse. He even has an S&M chamber in the basement of the office. When an animal rights activist uncovers his mode of operations we finally see Jeffery step out side the norm and stand up to his boss. He was going to kill her in the woods and burry her in the same mass grave as the raccoons. Here Jeffery intervenes accidentally killing his boss. In the end he is sentenced to 50 years to life in jail, suffering for the rest of his days for doing what was right. His boss gets off easy with death while he has to endure nightly go-rounds with an inmate that has made him his property. If he just let evil run its course he might not have ended up in such a bad situation. He made a choice to do what is right; sometimes the law is blind to right and wrong. At least he can take solace in knowing he did the right thing regardless of the repercussions.
Posted by Michael Clark
Monday, October 20, 2008
"Jesus' Son" reaction assignment
This is a typical addicts train of thought. Just this one last time, just one more fix and then He'll start the turn around. The problem is addicts think this before every fix, they truly believe that this one will be the last one. Until the next one that is.
The metaphors Johnson uses in this book are deep and direct, sometimes so direct that we can barely notice them. In "Work" he keeps describing how there is something about the bartender that he loves, but can not put his finger on it. Maybe it is her generous pouring style, or maybe it is that fact that she was his mother. It is revealed in the final sentence of the story that the woman was indeed his mother. The whole time Johnson spends on her he describes her caring, motherly approach to the pouring of a drink. These subtleties were almost overlooked by me until I read the last sentence, but then it was quickly realized that all that description was motherly metaphors. To go further with it I started to think on a deeper level that alcohol is the mother's milk of an alcoholic, who would be more appropriate to be serving it than his mother herself.
Michael clark
“Jesus’ Son” By: Denis Johnson
I must start out by admitting that I am not a fan of this book. I can deal with life problems but I have a hard time reading so many stories about drug problems, death, depression, dread and despair. The tone of this collection is dark and depressingly hopeless. The imagery that Johnson often uses to aid the reader to see the world as he does makes me feel as if color has been taken out of the world. If any of these short stories were made in to a movie (which I know it was) I would expect it to be dreary and all in black, white and grays. I will not write the book off however, I do believe Johnson does a good job at realistically approaching the life of a lost drug addict. So far, my favorite short story in this collection is “Work” because it made me think for a moment that he may see the light and seek help. He described the day he worked with
Posted by: Krista Behrends
Sunday, October 19, 2008
Check your short story IQ
http://wps.prenhall.com/hss_master_lit_1/28/7280/1863858.cw/index.html
Thursday, October 16, 2008
mps Denis " Jesus'son" Johnson
By DENIS JOHNSON
Nowhere in the duration of all one hundred and sixty pages does Johnson make it easy to believe our main character was going to get out of the mess he’s in. But in the few moments that he wasn’t pathetic and disgusting, I sort of liked him. Once in each of the two stories, “Car Crash While Hitchhiking” and “Out on bail”. In these stories the main character, in his maybe unfamiliar circumstance asks the questions and makes the same inferences that the rest of us do in this life. It’s what makes him human. “I was overjoyed,” he says “not to be dead. Generally the closest I ever came to wondering about the meaning of it all was to consider that I must be the victim of a joke… [But] I had a moment’s glory that night, though. I was certain I was in the world because I couldn’t tlololerate any other place.” (p. 41). In this statement he addresses a few common thoughtful experiences: feeling like life is just a game being played against you and accepting that where you are, is where you need to be. On page 10 I was captivated when he said, “I looked down into that great piety of a person’s life on this earth, I don’t mean that we all end up dead… I mean that he couldn’t tell me what he was dreaming and I couldn’t tell him what was real.” How often it occurs. Ours dreams, hopes, our pain and realities, rarely can they be shared. We can’t exchange our weaknesses and strengths.
Johnson’s voice in this work is disturbingly honest, dirty, confused and somehow still sure. I didn’t like it but I appreciate its originality. I also enjoyed its style. How many collections like this one can command the street credibility that Jesus’ Son does? I assume very few.
Secretary of bestcornergroup08,
melissapierresaint
Tuesday, October 14, 2008
Assignment Amendment for Jesus' son
happy reading!
mike
Monday, October 6, 2008
The Lone Ranger and Tonto Fist Fight in Heaven: A Drug called tradition.
Thomas builds the fire is an Indian living on a Spokane Indian reservation, who is not sure of his place in the social spectrum. Thomas came into money when a power company leased some of the land he inherited to run power lines across. Thomas is a humble Indian who usually gets handed the bill for the alcohol fueled Indian pow wows. The Indians on this reservation seem to be blinded by the effects of alcohol. Ancient traditions have been replaced by binge drinking. Indulging in the consumption of alcohol is all they have left. They blame the white man for these burdens but do nothing to change their situation.
Thomas is a known storyteller. He is infamous for his gift for gab. One day while the effects of the drugs he and his friends had taken were starting to wear off, Thomas began to tell one of his morally soaked stories. The story he begins to tell features him and the two friends he is with as young Indians, before alcohol had diminished their dreams and aspirations. In the story the boys were being offered their first drinks ever, but instead of accepting they refuse the drinks. In refusing they are able to see a glimpse of a future that could have been rich in heritage and traditions. Traditions are important for the Indians, a silent protest against the white man. The only way they can fight against the white man is to stay rich in tradition, the one thing that can not be stolen from them. “I dance one step and my sister rises from the ash, I dance another and a Buffalo crashes down from the sky into a log cabin in Nebraska with every step an Indian rises, with every step a Buffalo falls…they knock all the white people from their beds, send plates crashing to the floor” (Alexie p. 17). It is apparent that the dancing represents the traditions and the buffalo disrupting the white mans sleep and destroying their valuables represents the power of staying true to you traditions. These traditions are the only bullet the Indians have left in the battle against the white mans oppression. The white man never considers the social class of the Indian man. For the Indian man to overcome this social oppression they must see beyond themselves, turn their backs on the bottle of alcohol and stay true to their traditions. In doing so they can overcome this obvious social oppression.
posted by Michael Clark
The Lone Ranger and Tonto Fist Fight in Heaven
-Kaitlyn Lyons
All of these interconnected stories share many of the same common themes . Through the books humor , honestly you are able to see the characters come to life while dealing with ethnic pride, native american stereotypes, substance abuse, poverty and dysfunctional families. Sermons story A train is an order of occurrence designed to lead some result. I found this shared the common theme of a family unable or having a hard time fitting in. This reminded me of the last story we read in the last collection of a family having top assimilate and finding difficulty between cultures. This story also portrayed another theme of the book which was alcoholism , when he speaks about drinking, and passing out. This I found entertaining and brought of the lightheartedness throughout the story. Thomas builds the fire, offers up another character in my opinion pointing out what seems to be the obvious in stories, because it is the only truth the stories hold, and yet is not taken seriously. this particular short story was my favorite. I really enjoyed the overall humor of being put on trial for being real and saying what is true.
Overall I enjoyed this book immensely . There were many themes that were carried throughout the entire text and all the stories were connected.
Sunday, October 5, 2008
The Lone Ranger and Tonto Fistfight in Heaven - Part II
Have you ever read a passage from a story and it seemed to transcend reality and put you in that place in your mind? Alexie has this gift. His description and imagery has the power to make you feel as though you are watching a movie or physically there watching the events play out. The passage from Alexie's Family Portrait that was describing sniffing gas also made me feel like I was watching a movie rather than reading a book. “Everything underwater, like walking across the bottom of Benjamin Lake, past dead horses and abandoned tires. Legs tangled in seaweed, dance, dance again, kick the feet until you break free. Stare up at the surface, sunlight filtered through water like fingers, like a hand filled with the promise of love and oxygen (197-98).”
I find it truly amazing to come up with such vivid analogies. For me to think up something as colorful and real as the passages that I pointed out would take me forever. It is truly a fantastic talent and a mark of what an amazing writer Alexie truly is.
Posted by: Krista Behrends
Friday, October 3, 2008
mps The... Fist Fight in Heaven
By Sherman Alexie
This collection of short stories was has rightfully be said to startle and dazzle. It is the smartest collection of stories I’ve read to date. Using a free yet very descriptive style Alexie sets the tone for a poetic introduction to the oppressions and liberations of the Native American Culture. Alexie’s voice and word choice is dirty and honest but it is also spiritual and natural which makes it feel so pure… “Soon everybody from the party was on the lawn, dancing in the snow, fucking in the snow, fighting in the snow.” (Every Little Hurricane p.10) It’s a witty, lyrical interpretation of whom his people naturally are, laughing loving and fighting. His voice and style are also remarkably funny. It’s humor miraculously manage to dodge themes of misfortune, depression, and loss of his people. So instead of being dark or even sarcastic it is simply smart and clever. “…She named him ------- which means: He Who Crawls Silently Through the Grass with a Small Bow and One Bad Arrow Hunting for Enough Deer to Feed the Whole Tribe… We just called him James.” (Jesus Christ’s Half Brother is Alive and Well on the Spokane Indian Reservation p. 110)
It is Alexie’s voice that keeps these stories, all of which lack any sort of victory or overcoming, from being hopeless. It’s humor and honesty enveloped presence of mother earth’s character preserve us and allow us to accept that things are not good. But at least we can still laugh, we can love, and in time, yes eventually we’ll die.
I was captivated by Alexie’s story; A Train is an Order of Occurrence Designed To lead to Some Result. (P130) The story carries a theme common with most of the stories in the work. This inability the people have to fully assimilate to an American culture that is not their own. I was surprised by our main character Samuel’s optimism and than tickled by the renovations he made in his apartment (making it resembled the inside of a tipi.) eventually I was humbled as his view of the world became more familiar to the view I’ve come to know from other pieces in this work. Something like coming to terms with being at the bottom and deciding what to do about it. “Some times it’s called passing out and sometimes its called falling asleep (p138) Alexie says, after Samuel trips on the tracks of an on coming train. “ There is something about trains, drinking and being Indian with nothing to lose.” I enjoyed this intimate story of Samuel, just a fish out of water. He did his best but didn’t survive on the outside.
secretary of bestcornergroup08,
melissapierresaint
interview with sherman alexie
http://www.youtube.com/watch?v=ZWolPAoDk3g
Monday, September 29, 2008
The Lone Ranger and Tonto Fistfight in Heaven by Sherman Alexie
Most interesting to me in this collection is the character Thomas-Builds-The-Fire, he is a main character in and out of these stories. He seems to foreshadow events in Victor's life and on the reservation. In the short story The Trial of Thomas-Builds-The-Fire he is described as someone who has “a storytelling fetish accompanied by an extreme need to tell the truth (93).” He is on trial in this story for telling the truth. Often Thomas weaves stories from his minds eye and people don't like to hear them because they know that his stories hold the truth. So, instead they write him off as crazy or delusional. There was one story he told that, to me, foreshadowed Victor's character and summed up the stories in this book. In Alexie's A Drug Called Tradition Victor, Junior, and Thomas go out by the lake and take a drug in hope to see their calling or what they are supposed to do with their lives. To finally get their Indian names. Instead Thomas tells them, “Your past is a skeleton walking one step behind you, and your future is a skeleton walking one step in front of you... these skeletons are made of memories, dreams, and voices... That's what Indian time is. The past, the future, all wrapped up in the now (21-22).” This being the second short story in this particular collection really struck me. It is the reason, it seems, why the stories are told the way they are. The narrator's style of story telling always includes stories from the past, memories, and a question about tomorrow while happening usually in the present. I found this fascinating.
Posted by: Krista Behrends
Sunday, September 28, 2008
Group Presentations
Choose one of the following. The presentation will be worth one response paper. The week your group presents, you do not have to turn in a response paper.
- Imagine you are turning one of the short stories into a film and are pitching it to producers who are considering funding the project. Make your vision for the project and your enthusiasm clear. Discuss setting, vital scenes, plot structure, and character. You can also discuss music, actors, and location. Act out one scene..
- Create a video or a short play of one pivotal scene from one of the assigned short stories. Show or perform this scene (try to incorporate setting) and discuss its importance to the story as a whole.
- Create your own response and interpretation to one of the short stories through any means you’d like, but submit the proposal in writing for approval at least one week prior to your assigned date to give your presentation.
The presentation should be 10 –15 minutes, should incorporate craft terminology, shed meaning on the text, and engage the class. Creativity is encouraged.
Wednesday, September 24, 2008
Ordering Jesus' Son
Here are a few options:
1. Search www.IndieBound.org to order from your local independent bookstore.
2. www.powells.com or call 800 - 878 - 7323.
3. Try Abe books:
www.abebooks.com/servlet/SearchResults?an=denis+johnson&sts=t&tn=jesus%27+son&x=0&y=0
~karen
Monday, September 22, 2008
Week 2 response upload... Revelation" by Flannery O'Conner
posted by Michael Clark
Week 2 response upload... "the girl with the blackened eye" by Joyce Carol Oates
In "The Girl with the Blackened Eye" we are told about the horrific experience of a young girl who was abducted for a period of eight days. The narrator seems to be reliable and starts off with explaining how normal she is, just like any other girl at her high school. How she was abducted, but also how it could happen to anyone. she compares her experience to situations that are out of our hands like a plane crash or being struck by lightning. That but with a human element. the human element is what makes this such a scary story, the fact that not only could this happen to any of our daughters, but that it indeed does happen. She begins to realize that her captor seems to be taking pity on her, giving her small morsels of food and drink, what she describes as barely enough to sustain life. Her abductor has been through this before and usually ends up suffocating his victims after he "tires of them". Interesting to me was that he knew early that he was not going to kill her, saying "I don't know why yet that you have been spared". She questions what makes her different than the other victims. She believes that she looks old for her age and when abducted she was mistaken for an older girl. That he only noticed how young she was after a few days of emaciation have set in, revealing her small mid-pubesent frame. He begins to break all his own rules, parading her around in his car in plain sight, even though there are signs of physical abuse all over her body and of course her blackened eye. At this time she begins to wonder if she will be noticed from the TV news reports or if she will be dismissed as a girl with a black eye who had it coming.
Also interesting to me was the transference that seems to be taking place here. the abductor and abductees seem to in some twisted way care for one another. This is not uncommon in kidnapping situations. He would carefully buckle her in the car and ask if she was OK. Meanwhile she has plenty of chances to escape but chooses not to for one reason or another. In the conclusion she makes an interesting point about how her life was most "real" for those eight days, and that everything else from then on was surreal.
posted by Michael Clark
Sunday, September 21, 2008
Revelation by Flannery O'Connor
Hello everyone here is my response to this weeks readings.
The group of short stories that we recently read seems to have a common thread of loss and dealing with life’s obstacles. In Lorrie Moore’s writing People Like That Are The Only People Here: Canonical Babbling in Peed Onk, Flannery O’Connor’s Revelation, and Amy Hempel’s In the Cemetery Where Al Jolson is Buried, we see three different stories of friends and family dealing with struggles in the same setting. They all take place in a hospital or doctor’s office. The most interesting connection to me was Joyce Carol Oates’ The Girl with the Blackened Eye and Lorrie Moore’s piece. In both writings there is a disconnection of mind and body. Oates writing was about a girl who was abducted and tortured physically, sexually, and emotionally. It is her looking back at what happened. But, she disconnects herself from the situation by referring to herself in third person often and speaking about it as though she were not actually there. For example she says, “I’m saying these things were done to me but in fact they were done to my body mostly (201).” This is an understandable disconnection with one’s body when you go through such a dramatic event. She also looks back as though she is telling someone else’s story when she says, “In the backseat the girl was crying. If she had tears she would have cried (206).” This is another example of disconnection in the main character. Similarly, the Mother in Moore’s story always refers to herself as Mother with a capital “M” and Baby and Husband. She never gives the family names as if it was only a story and not real. As if giving names to the family members would be to admit that the pain was real. I thought this was an interesting connection.
The story that was most interesting to me was Flannery O’Connor’s Revelation. Interesting diction was used. Again you see the use of language to show the difference in class. O’Connor’s character Mrs. Turpin uses an interesting way to describe the other characters. Most of the surrounding characters are not given names. Rather, they are named after a trait that Mrs. Turpin notices. Such as “the well-dressed lady” or “the ugly girl” (254). The readers know early on that Mrs. Turpin is not a good person but Mrs. Turpin herself takes longer to have this revelation. Dramatic irony comes in to play when Mrs. Turpin sees the events that played out differently than the readers see it. She absolutely is an “old wart hog” (266). My favorite part of the story is when she is hosing down the hogs while screaming and challenging God. All the while she is hurting the pregnant sow and saying that she was a woman of God that did good for the church (273). Until she saw people of every color and walk of life walking toward the gates of heaven she still did not have her “revelation.” Even after that the reader still doubts whether Mrs. Turpin got the message. I truly enjoyed Flannery O’Connor’s storytelling skills in this short story.
Posted by: Krista Behrends
Monday, September 15, 2008
Gryphon by Charles Baxter.
At first glance it seems that Miss Ferenczi is the real deal and should not be questioned, but soon after her underbelly is exposed. John a student from class answers the question six times eleven is sixty eight, and Miss Ferenczi said "fine". Then the students begin to question her, knowing that six times eleven is indeed sixty six. Here is where her pathology begins to take shape. She tell the kids that sometimes it is sixty eight. The kids continue to question her asking when is it sixty eight? she replies "in higher mathematics, which you children do not understand". I wonder if this was a common mistake and that Miss F. just was not paying attention and simply approved the wrong answer, or if she is so anti establishment that she will sabotage the minds of these conforming youth.
Miss Ferenczi begins to teach the unit on Egypt. Again she goes away from the book and its teachings and begins to try to explain reincarnation to the kids, scaring them a bit, using terms like you will be judged by how you lived "well or ill". This will determine weather you go up or down. She even tells the kids there is no death, so there is nothing to be afraid of. Now the kids think she is a loon but are too "in place" to say something to her. They let he continue on her rants about astrology in ancient Egypt. She really loses them when she starts to explain the Gryphon, a mythical half bird half lion.
On the bus home that afternoon the kids are vehemently discussing Miss Ferenczi's web of lies.
"Six times eleven isn't ever sixty eight, it is sixty six, I know for a fact" said the foul breathed Carl Whiteside. The narrator is in sensory overload when he arrives home, and begins to explain why his substitute teacher is crazy. His mother just dismisses him an shoves him in the direction of his afternoon chores. Before he starts however, he sneaks off and grabs the dictionary. Determined to prove Miss Ferenczi wrong once and for all he flips to the G's. To his surprise he finds the definition for Gryphon, and of course it tells of a fabulous creature with the head of an eagle and the body of a lion. Credibility restored... for now.
The next day is where she really goes too far. She begins reading the fortunes of these poor students. Which you may think is fine, telling some that they will be happy, or live a fruitful life. It is when the cards tell her that one of the children, Wayne, will die an untimely death. This does not go over well with the student. He tattles on Miss Ferenczi to the principal. Miss Ferenczi is told to go home. Our narrator is torn between his allegiance for his new idol Miss F. and his friend. he starts to tease Wayne about being scared of a card and that he is chicken. this ends in fisticuffs between Wayne and the narrator.
This story illustrates how naive children can be. That they really are hanging on our every word. I can relate to this one in many ways. I remember believing and questioning at the same time everything my grade school teachers would say. One teacher of mine, Ms. Toumey, told me once that if someone slapped me on the back while I was making funny faces that my face would be permanently stuck that way, FOREVER!! I believed her and even began telling everyone else to be careful because it could happen to them as well.
posted by
Michael Clark
Sunday, September 14, 2008
Optional Alternative for Response Papers: Blog Posts
Here's an option for posting to the blog instead of submitting a response paper.
Let me know if you have any questions.
~Karen
Optional Alternative for Response Papers: Blog Posts
Submit two blog posts and comment on two posts not your own.
Important: Cut and paste your posts and comments, print them out, and submit in class as you would a response paper.
1. Create two blog posts:
a. One post on the overall group of stories assigned:
Post should cover: What connects the stories? What craft issues tie them together (theme, voice, character, tone, etc.)? Write about the general impressions of the text.
b. One post examining one particular short story:
Focus on one particular story (preferably one you loved) from the assigned text. This should explain why the story engaged you and should not be a plot summary. It would be helpful to discuss the aims of the story and what is at issue both on the surface and sub-textually in the piece. You should point to specific moments in the text to illustrate your points. Be sure to address the impact of the story on you as a reader and what does it leave you with after you’ve read it? What moments were the most striking for you? Why did you choose this story to annotate?
2. Post Two Comments on two posts not your own:
a. Post two (civil) comments on other people’s blog posts. Further the idea presented with additional examples, respectfully disagree providing evidence from text, ect.
Optional:
Post links to short stories you’ve read and liked, author interviews with authors we’re discussing for this class, etc.
Wednesday, September 10, 2008
Hey there classmates!
It is simple to navigate and should be easy for all us computer illiterate night schoolers.
mike